Accessibility and language inclusion
Event accessible stage questions
A speaker, award recipient or panellist has told you they need support on stage, and the run sheet does not yet say what that means.
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The short answer
Accessible stage planning starts with asking each speaker what support they need, then putting specific questions to the venue and stage crew about how the stage, lectern and cues can provide it. A qualified access adviser can review the stage setup; the organiser coordinates the answers.
Treat each request as information about support, not about a person. Record what was asked and what was confirmed, and keep it to the people who need it.
Ask the speaker first, in a way they can answer privately
Add one optional line to the speaker brief: what support, if any, would help on stage? Give a named contact and a date, and keep replies out of shared documents.
Offer choices where useful, such as how they reach the stage, whether they prefer to sit or stand, and how they like to receive cues. Do not ask for reasons or diagnoses.
The stage elements to cover
| Element | Question for venue or crew | Owner |
|---|---|---|
| Route to stage | How does a speaker reach the stage from the green room, and is it the same route for all speakers? | Venue |
| Stage edge and steps | Is there a way up other than steps, and what is the stage edge treatment? | Venue and stage crew |
| Lectern and seating | Can the lectern height be changed during the session, and can a seat be placed on stage? | Stage crew |
| Microphones | Which types are available for seated, fixed and moving speakers? | AV supplier |
| Cues and timing | How are speakers cued, and can cues be given in a form the speaker prefers? | Stage manager |
| Screens and confidence monitor | Can the speaker see their slides without turning, and is text large enough? | AV supplier |
| Backup | What happens if the stage route or lectern setup is unavailable on the day? | Organiser |
Sequence
- Collect speaker support requests early, with the programme confirmed enough to know who is on stage.
- Send the element questions to the venue, stage crew and AV supplier in one request.
- Ask a qualified access adviser to review the stage plan and any temporary build.
- Write the confirmed set-up into the run sheet and brief the stage manager and moderator.
- Rehearse the route and cues with the speaker if they wish, and note any change.
Common problems
- Support agreed with the speaker but never reaching the stage manager.
- A lectern or seat set up at the wrong height because the request sat only in an email.
- Awards or panels where the route to the stage differs from the rehearsal route.
- Cue cards and countdown timers that assume every speaker receives cues the same way.
Worked example · Fictional example
Stage planning for a professional awards evening
Fictional organisation and figures, for illustration only.
A fictional accountancy institute plans an awards evening with eight recipients. One recipient replies to the optional line asking for a seat on stage and a printed cue.
The secretariat asks the venue about a stage route, the stage crew about a seat and a lectern that can be adjusted, and the adviser to review the set. The run sheet records the confirmed set-up and the stage manager is briefed by name.
Use this yourself
Stage questions for venue, crew and adviser
Copy and send as one request. Mark each as confirmed, unconfirmed or alternative agreed.
- How does each speaker reach the stage, and is there more than one route?
- What are the stage height, edge and steps, and what temporary ramp or alternative could be fitted?
- Can the lectern height be adjusted, and can a seat be placed on stage?
- Which microphone types are available for seated and moving speakers?
- How are cues given, and can they be given in the form the speaker prefers?
- Can the speaker see slides and the clock without turning away from the audience?
- What is the backup if a route or item is unavailable on the day?
- Who is the named contact on the day, and how is the stage manager briefed?
Handle it in-house, or bring in help?
Your team can usually handle this when
- Few speakers, a simple stage and a venue that answers promptly.
- Support requests are clear and the adviser's review is not needed yet.
Outside planning help earns its fee when
- A raised or multi-level stage, awards with a choreographed walk, or a temporary build.
- Several speakers with different support requests across tracks.
- You need the stage plan reviewed by a qualified access adviser and coordinated with AV.
Want stage access coordinated into your run sheet?
An Event Blueprint can set out the speaker support question, the stage questions to venue and crew, the adviser review and the run sheet entries, so every request reaches the person who sets the stage. Share your programme outline and stage plan.
Questions organisers ask
Should we ask every speaker about support?
Yes, with the same optional line for everyone. That avoids singling anyone out and gives people a clear private route to ask.
Who decides whether the stage is suitable?
The venue, stage crew and a qualified access adviser advise on the set-up. The organiser coordinates, records and acts on their answers.
Should the request appear in the shared run sheet?
Put the set-up and cue arrangements in the run sheet, not the reason. Share only what the stage manager and crew need to do their job.
Related resources
Content record: Draft. Written from the cited sources and checked by automated rules; not yet independently reviewed.